Today I have a special guest for you! At my last book signing, I met TE Carter, the author of the upcoming over I Stop Somewhere. The two of us got to talking about our experiences writing dark fiction, so I asked her to write a blog post on her experiences and some of what she dealt with to write her debut novel. Learn about my experiences writing dark fiction by watching the YouTube video, or read the blog post by TE Carter’s to see what she has to say about the subject.
About TE Carter:
TE Carter was born in New England and has pretty much lived in New England her entire life (minus a few years in high school). She still lives in New England with her husband and their two cats.
When she’s not writing, she can usually be found reading classic literature, playing Xbox, organizing her comic collection, or binge-watching baking competitions.
About the Book:
I STOP SOMEWHERE will be released on 2/27/18 from Feiwel & Friends/Macmillan in the US and on 5 April 2018 from Simon & Schuster in the UK.
Ellie Frias disappeared long before she vanished.
Tormented throughout middle school, Ellie begins her freshman year with a new look: she doesn’t need to be popular; she just needs to blend in with the wallpaper.
But when the unthinkable happens, Ellie finds herself trapped after a brutal assault. She wasn’t the first victim and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.
The problem is, no one searches for a girl they never noticed in the first place.
Writing Dark Fiction, feat. TE Carter
There’s that old bit of writing advice that you should write what you know. I’ve always taken this to mean less that you should write only what you’ve experienced, but more that you should focus on the topics and ideas that are relevant to you personally. I strongly believe in this advice, but I also think it’s sometimes misunderstood. I don’t think JK Rowling “knows” young wizards; instead, she was writing a region she knows, with themes that mattered to her.
For me, what’s always been present in books is a place where I could feel like I belonged. I didn’t have that in my life outside of reading for the most part. Because I’ve long struggled with anxiety and depression, I tend to have a very hard time connecting to people, but I never felt that way with fictional characters. On the page, there were people who saw the world the way I did and, in their thoughts, they reflected back some of the feelings I was struggling to express. This drove me to reading and, as a result, writing.
What I know is that there’s comfort in addressing the darkness we sometimes feel by saying it aloud and facing it head on. So, I’ve used that in my own writing, focusing primarily on YA contemporary with a darker edge. It’s cathartic and has allowed me to voice what I’ve kept inside for most of my life, but at the same time, when you do face these things directly, it can take a lot out of you.
Another famous bit of writer advice is to write every day. Because of the content I write, I’ve never been able to do this. I need a lot of time to recharge, so I can go months without writing. I suppose I’m never actually “not writing,” because I live in a way that means I’m always observing, making note of things in the world, seeing patterns in behavior. All of this goes into my work, but as far as sitting down and putting words to paper, I probably only write about 3-4 months a year. When I’m actively working on a book or edits, I’m invested in that world 100%, and I sometimes write for 10-12 hours in a day. I write quickly as well during those periods, but after writing draws that much energy from me, I need a break. Generally, I step aside from the writing for a bit, go back for edits and revisions, and once the book is finished, I can go several months without thinking about the next story. It’s the only way to keep myself from getting too deeply invested in the darkness of the things I tackle in my novels and to leading to further depression.
What I think this demonstrates is that every writer has to find the advice that works for them – and also has to know when to say no, that doesn’t apply to me. The literary world is full of so much wonderful variety that it’s expected writers come from various places and thought processes. All writers should embrace what works for them, and put aside any doubts that their system isn’t the right one if it’s improving their own process!